August 2008
“Morality, like art, means drawing a line someplace.”
– Oscar Wilde (via claytoncubitt)
Aug 1st
July 2008
Jul 31st
HAPPY BIRTHDAY, ZOETICA!!!!!!! →
Jul 31st
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Jul 31st
Lauren does McPherson →
Jul 30th
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Jul 30th
Kimmy as POWER GIRL →
Jul 29th
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JOSS WHEDON →
Jul 29th
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1 note
Jul 29th
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Barbara Would Really Like You To Buy Something... →
Jul 28th
Steph Rules →
Jul 27th
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This Weekend is a Mindfreak →
Jul 26th
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Jul 26th
Carré Spooks Me Somethin' Good →
Jul 25th
Pictures Like This Make Me Like Taking Pictures →
Jul 24th
Jul 24th
Kris, John Henry and the State of Digital vs. Film... →
Jul 24th
John Henry Died. That's what happened.
Tony Hicke: just read your blog
Lou Noble: yeah?
Tony Hicke: and I would like to make this comment
Tony Hicke: take that conversation
Tony Hicke: move it to 1946
Lou Noble: hahahahah
Tony Hicke: insert polaroid where it says digital
Tony Hicke: and think about it
Lou Noble: funny, but doesn't work
Tony Hicke: yes
Tony Hicke: it does
Tony Hicke: instant stisfaction
Lou Noble: you were still constrained by the limited number of shots
Lou Noble: it's not about having to wait
Tony Hicke: lame
Lou Noble: it's about limits
Tony Hicke: man
Tony Hicke: comeone
Tony Hicke: its baout technology
Lou Noble: i know it sounds silly
Lou Noble: but here's the thing
Lou Noble: hear me out
Lou Noble: i see people who start photography by shooting digital
Lou Noble: and they have a much harder time defining their style
Lou Noble: figuring out what their "voice" is
Lou Noble: it's about the ease with which you can take a good picture
Lou Noble: the lack of limits, at the beginning, hurts a photographer
Lou Noble: sure, now
Lou Noble: i could do just as fine with a digital camera
Lou Noble: my work wouldn't really suffer
Lou Noble: but there is a difference, because of that ease
2: 55 PM
Tony Hicke: so its really a personal satisfaction thing
Tony Hicke: that you had to work for it
Lou Noble: yeah, otherwise, where's the inherent value?
Tony Hicke: but if your work doesn't suffer
Tony Hicke: why is there a loss in value
Tony Hicke: maybe in personal value
Lou Noble: i think a lot of it comes to, with a digital camera, it is very easy to take a decent shot
Lou Noble: and if all digital shots are good, then where's the value?
Lou Noble: if they're all special, none of them are
Tony Hicke: progress!
Tony Hicke: its called progress!
Lou Noble: this is the price of progress
Tony Hicke: I see what you are saying
Lou Noble: i don't disagree with you
Lou Noble: digital is a technologically superior medium
Lou Noble: but i think there is a price to be paid for that advancement
Tony Hicke: but the price paid is that there is now a lot of really good pictures, but before, there were fewer
Tony Hicke: because it was harder
Lou Noble: which lessens the difference between a talented photographer and an amateur
Lou Noble: and lessens the value of photography as a whole
Tony Hicke: basically
3: 00 PM
Tony Hicke: I understand the concept
Tony Hicke: but epople aren't goign to care less a bout a beuatiful phograph
Tony Hicke: they may pay less
Tony Hicke: but I don't think they'd care less
Tony Hicke: I see, I see
Tony Hicke: I understand completely your concept
Tony Hicke: I guess because it is not my passion
Tony Hicke: I'mfine with it
Lou Noble: imagine if a machine made it possible for everyone to do geology
Lou Noble: thus making you obsolete
Tony Hicke: see
Tony Hicke: so its not about the art
Tony Hicke: its about your obsolescence
Lou Noble: well, but you consider what you do a function of your skill
Lou Noble: a bad geologist makes you mad, yes?
Tony Hicke: I suppose
Lou Noble: okay
Lou Noble: or a shitty band
Lou Noble: imagine if a machine made Shitty geologists accomplish the work that previously could only be done by good geologists
Lou Noble: dude still sucks
Lou Noble: has no talent for "the color"
Tony Hicke: HAHAHAHAH
Lou Noble: but his machine hides that
Lou Noble: you like that?
Tony Hicke: I htink you go, you learn that machine
Tony Hicke: and make better things with that machine
Lou Noble: that's what always ends up happening, yeah
Tony Hicke: its nostalgia
3: 05 PM
Tony Hicke: its somehting you hold dear
Tony Hicke: I understand
Lou Noble: on a more practical level
Lou Noble: it's of course easier to stand out this way
Lou Noble: to make a name for oneself
Lou Noble: hell, most people consider these things, like Polaroid, "hard" to take a good shot with
Tony Hicke: It seems that the conversation you two had has happened every 4 years, as technology progressed through time
Lou Noble: yep
Tony Hicke: Like
Lou Noble: it started, i didn't add this part, because i was considering digital
Tony Hicke: MAN
I USED TO DAN THE BEST DEER HID
Tony Hicke: E
Lou Noble: know what it is?
Tony Hicke: now , big wampum can tan 5 at a time
Lou Noble: it's John Henry
Tony Hicke: me so insignificant
Tony Hicke: it is John Henry
Lou Noble: and we all know what happened to him
Tony Hicke: Won the lottery, retired in Hollywood, became a pornstar, fdies with a smile on his face
Jul 24th
Digital is Dancing with the Dead
Kris Hannum: i don't know digital is for a certain breed. and i am definitely not of that.
Lou Noble: it's just so economical
Lou Noble: and i'd be able to see shots right away
Kris Hannum: and unfulfilling
Lou Noble: yeah
Lou Noble: sigh
Lou Noble: so cold, it's so cold
Kris Hannum: i mean....i have a really sour taste right away for digital just because of flickr.
Kris Hannum: like, one of the main reasons we all stand out on flickr is because we're doing something that the majority of that whole website is not.
Lou Noble: yeah, you're right
Kris Hannum: once you cross over to the d(ark)igital side, that's all behind you.
Kris Hannum: you're just another "photographer"
Lou Noble: yeah
Lou Noble: it'd take all the skill out of it
Kris Hannum: right
Lou Noble: and then where's the satisfaction?
Kris Hannum: exactly
Kris Hannum: it's too easy
Kris Hannum: it's no fun
2: 05 PM
Kris Hannum: it's just point, auto expose, shoot
Lou Noble: it's dead, it's like working with the dead
Kris Hannum: don't like it, no probs, delete it and do it again
Kris Hannum: it takes every bit of adventure out of taking pictures. for me at least.
Jul 24th
Jul 23rd
Sarah, at the Door →
Jul 23rd
Jul 23rd
Jul 23rd
Jul 23rd
WatchWatch
claytoncubitt: Stanley Kubrick’s Boxes
Jul 23rd
7 notes
Jul 22nd
Jul 22nd
Morgan, and the Trouble with Film →
Jul 22nd
Jul 21st
Jul 21st
You Wanted the Best, You Got the Best: Lou O'... →
Jul 21st
Zoetica Looks Out...AT YOU →
Jul 21st
Get Fucked Up
The thing that affected me the most about The Dark Knight was its overwhelming sense of dread.  That things were, no matter where you were in the film, only going to get worse.  Ledger’s Joker is such a force in the movie, you as the viewer have absolutely no idea how Batman’s going to win, because you yourself cannot figure out how to beat a Joker like that.   And that, friends, is...
Jul 20th
Lauren Looks Out →
Jul 20th
“By putting intention behind what man called good, God was produced. By putting...”
– Robert Green Ingersoll, 1881 (via claytoncubitt)
Jul 20th
3 notes