LOU O' BEDLAM

The blog of Luciano Noble II.

Photos & I = BFF

What I'm looking at, listening to, eating, doing, thinking (kinda), hating on, in love with, stalking, coveting, rocking out to.


Photography is Love.

Love is God.

Photography is God.


Fund my photographic endeavors:


Ask Me Questions!!!!

Email me: louobedlam@gmail.com

My website: LOUOBEDLAM.COM

Where I write every Friday: manolith

Where I write a lot, in teeny tiny bits:
twitter

Where most of my photos are:
flickr

Where you can look at all the photos on this blog:
gallery

Burger Day: (where I try to find the best burger in LA, and write about it!!!!): MMmmmmm

Where I play chess:
gameKnot



Sites I Like:
Laura Taylor
Julia Galdo
The Last Days of Polaroid
Awkwardly Social
Grant Morrison

talsit asked: What do you think about imitating someone's work? Flattery or theft? Or does it depend on whether it's credited or not?

Oof, this is a complex one.

I’m just gonna avoid the normal sayings that go along with this question (you’re thinking them as you read this anyway, yes?), and keep this specific to my work. I think the answer definitely varies depending on the art that’s being imitated, the level to which it’s being imitated (is it imitation, is it straight copying?), the intent in the imitation.

For my work, if someone’s imitating my style, be it technique or actual composition of my shots, that’s just fine. I’m not the first guy to take portraits of beautiful people using natural light, and I’m sure I won’t be the last.  I like to think my work has a definite style, but I’d never assume I invented it, or have some patent on it.

I do like to think that it’s not necessarily easy to do what I do, but that actually feeds into me being okay with imitation.  I think it’s a perfectly valid means at education to break down how & why someone takes certain pictures, try to replicate that as a way of furthering their own process.

As long as they don’t just go ahead and study the style, use it as their own and never progress beyond imitation. That’s neither fair to the original artist nor is it healthy for the imitator.  Each artist’s style, that’s not just art, it’s their point of view, their unique perspective on the world.  No person should want to imitate or copy another’s POV.  It belittles their own, cheapens personal experience.

Now, credit? That’s a completely different story.  I say, no matter what, it never hurts to credit the original artist.  Keeps the imitator honest, it does.

SHORT PROGRAMMING NOTE: for those (3 or 4) folks who have sent me messages that are not questions? THANK YOU.  Your kind words are much appreciated.

But I won’t be responding to them in public, only questions will be responded to.  My narcissism only goes so far.  But again, Thank you.

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913am.  I’m just gonna go ahead and let today just slide on by.  No important decisions, no big ideas.  Not enough sleep last night has me feeling like I’ve just had my cup of tea poisoned by the by some shadowy group.  Soon they’ll whisk me away to a remote and nondescript island, using arcane and increasingly inexplicable methods in order to break me.
I WILL GIVE YOU AND YOUR MYSTERIOUS OVERLORDS NOTHING! I AM NOT A NUMBER, I AM A FREE MAN! MY LIFE IS MY OWN!!!
I probably need breakfast and a nap.
Oh, but tomorrow, that should be quite fun. And yes, I’m looking at you with a devilish smirk on my face.
Ooh, and just got an awesome email.
But never mind that, for now.
AND SO, if your fingers are crossed that Tuesday has the good sense to just leave you be, this shot of Carré is for you.

913am.  I’m just gonna go ahead and let today just slide on by.  No important decisions, no big ideas.  Not enough sleep last night has me feeling like I’ve just had my cup of tea poisoned by the by some shadowy group.  Soon they’ll whisk me away to a remote and nondescript island, using arcane and increasingly inexplicable methods in order to break me.

I WILL GIVE YOU AND YOUR MYSTERIOUS OVERLORDS NOTHING! I AM NOT A NUMBER, I AM A FREE MAN! MY LIFE IS MY OWN!!!

I probably need breakfast and a nap.

Oh, but tomorrow, that should be quite fun. And yes, I’m looking at you with a devilish smirk on my face.

Ooh, and just got an awesome email.

But never mind that, for now.

AND SO, if your fingers are crossed that Tuesday has the good sense to just leave you be, this shot of Carré is for you.

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Night, lady.

Night, lady.

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griffith night (via drew…)
**IF YOU LIKE THIS SHOT, GO TO ITS FLICKR PAGE, LET THE ARTIST KNOW! SHOW ‘EM LOVE!!**
Drew’s a buddy of mine, one of the original Polaroid crew.  Back in ‘07 we’d all run around the fair state of California and take as many pictures as humanly possible. Unfortunately, past few years, man’s been busy with other endeavors.  Which is a damn shame, because, as you can see here, the man’s got himself an excellent eye.  Glad he’s back into it.

griffith night (via drew…)

**IF YOU LIKE THIS SHOT, GO TO ITS FLICKR PAGE, LET THE ARTIST KNOW! SHOW ‘EM LOVE!!**

Drew’s a buddy of mine, one of the original Polaroid crew.  Back in ‘07 we’d all run around the fair state of California and take as many pictures as humanly possible. 
Unfortunately, past few years, man’s been busy with other endeavors.  
Which is a damn shame, because, as you can see here, the man’s got himself an excellent eye.  Glad he’s back into it.
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maitababy asked: Hi Lou! I'm a big fan of your work. I read on your last post that you wrap your camera w/ plastic when shooting in the rain. Just wondering, what kind exactly and how? I'd love to shoot in the rain.

Awhile back I went to my favorite bagel place, the Bagel Broker.  I was ordering a few dozen bagels for a shoot, so they gave ‘em to me in a giant brown paper bag.

They also tossed in several plastic bags, I’m assuming in case I wanted to save some of the bagels, the delicious delicious bagels, for later.

The bagels did not last too long.  But I held onto the bags.  They’re clear plastic, fairly strong.

But I figure any clear plastic bag would do.

Now I want bagels.

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My weekly Manolith article is up!
THIS WEEK: gender semantics, OR, why I try not to use the term “girl” when describing a woman.
FEATURING PICTURES OF TUMBLR’S OWN MEAGHAN O’ CONNELL!!
CLICK HERE!!!

My weekly Manolith article is up!

THIS WEEK: gender semantics, OR, why I try not to use the term “girl” when describing a woman.

FEATURING PICTURES OF TUMBLR’S OWN MEAGHAN O’ CONNELL!!

CLICK HERE!!!

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829am. Three full days of shooting, four excellent shoots, spent most of yesterday at a park deep in Malibu, lunch was Twizzlers Saturday & Sunday, saw Amanda play in a river, saw Alie play in latex, Zoetica on a beach, Caitlin shake her rump, good photos, better conversation, criss-crossed town.  Oh, and I worked a wee bit, too.
Here’s to the weekend, couldn’t have asked for one better. Here’s to the Army and Navy and the battles they have won; here’s to America’s colors, the colors that never run.
(sorry, after a long weekend, it’s all madness & Big Trouble in Little China quotes running around in my head)
AND SO, if the weekend was good enough it made you glad for Monday and the rest it brings, this shot of Caitlin (who showed up after Amanda, so she had to dance, too) is for you.

829am. Three full days of shooting, four excellent shoots, spent most of yesterday at a park deep in Malibu, lunch was Twizzlers Saturday & Sunday, saw Amanda play in a river, saw Alie play in latex, Zoetica on a beach, Caitlin shake her rump, good photos, better conversation, criss-crossed town.  Oh, and I worked a wee bit, too.

Here’s to the weekend, couldn’t have asked for one better. Here’s to the Army and Navy and the battles they have won; here’s to America’s colors, the colors that never run.

(sorry, after a long weekend, it’s all madness & Big Trouble in Little China quotes running around in my head)

AND SO, if the weekend was good enough it made you glad for Monday and the rest it brings, this shot of Caitlin (who showed up after Amanda, so she had to dance, too) is for you.

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Jeff Bridges, by Inez van Lamsweerde & Vinoodh Matadin

Jeff Bridges, by Inez van Lamsweerde & Vinoodh Matadin

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Sorry, I was kinda busy, today.  I miss anything?

Sorry, I was kinda busy, today.  I miss anything?

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River!!!!! I love LA!!!

River!!!!! I love LA!!!

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Oh, you know, just hanging out in the giant park, taking pictures. Regular ol’ Sunday.

Oh, you know, just hanging out in the giant park, taking pictures. Regular ol’ Sunday.

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Fun with Amanda in less than 5 minutes…

Fun with Amanda in less than 5 minutes…

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Don’t be an ass: credit the artist.

ryanschude:

ronenreblogs:

claytoncubitt:

Yes x1000, and I would add another reason, beyond it just being the moral (and legal) thing to do for the artist you admire: do it for future knowledge. Do it for future curious creative people like yourself. Tools like Google Image and TinEye would be so much more effective if everyone who published an image would post the credits with it, so that it could be properly indexed. Not some vague emotional poem-line about how the image makes you feel, the actual artist’s name and their title for the piece. In the art (and adult) world, provenance is key, so do your part and preserve the chain of custody, the praise for the things you love, or even the shame for the things you hate.

This counts for everyone, but triply so if you’re a young artist/designer yourself.

homeofthevain:

If you’re posting someone else’s work, credit them. Don’t deliberately remove the name of the artist. That’s just wrong. If your reasoning is that it’s own personal scrapbook — then keep it personal, not public. If it’s public, the least you can do is credit the artist and link back to their site, or at least their Wikipedia entry.

When I see something I like not credited — I try to track down the source, if for no other reason than to find more art by the same person. Consider this a small payback to the artist whose art you liked enough to post on your Tumblr. Use Tineye to track down original visual art — it’s easy to use, and takes no more than 10 seconds to do a search.

And that was your PSA for today. In the next episode: public shaming.

PLEASE RE-BLOG THIS.

CORRECTION:  DON’T JUST “LIKE” IT. RE-BLOG THE FUCK OUT OF IT.

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639am.  I’ve, HOPEFULLY, got two more shoots, today.
After the past couple days, which were full of LOCATIONS and MAKE-UP, today’s will be about as lo-fi as possible.
Both kinds of shoots have their charms, but it’s great to be able to change gears when I’ve been in one mode too long.
So, today, maybe a little beach, maybe a walk around the neighborhood, just me and my subject.
AND SO, if you’ve a nice and smooth Sunday planned, this shot of Alie (from yesterday’s shoot, which I LOVED) is for you.

639am.  I’ve, HOPEFULLY, got two more shoots, today.

After the past couple days, which were full of LOCATIONS and MAKE-UP, today’s will be about as lo-fi as possible.

Both kinds of shoots have their charms, but it’s great to be able to change gears when I’ve been in one mode too long.

So, today, maybe a little beach, maybe a walk around the neighborhood, just me and my subject.

AND SO, if you’ve a nice and smooth Sunday planned, this shot of Alie (from yesterday’s shoot, which I LOVED) is for you.

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[Flash 9 is required to listen to audio.]

copycats:

I Can’t Tell You Why by Chromeo
originally by The Eagles
(posted by Nathaniel James)

Lou O’ Bedlam Fun Fact #441: I am an Eagles fan.  I have no idea how, but back when I was around 13, and only had six CDs to my name, one of them just happened to be The Eagles Greatest Hits, Vol. 2.

Hotel California, Life in the Fast Lane, this song, all on there. I would actually wonder, often, what was on Vol. 1, if all their well-known songs were on this disc.

6 CDs, man. By the time I was 17, that number had jumped to maybe 20.

CDs were expensive! PEOPLE USED TO BUY CDs.

And thus began a life-long habit of listening to an album again and again and again and again until I was tired of it.  Because once upon a time, I HAD NO CHOICE.

AND SO, I like the Eagles.  This cover’s pretty fresh.  Yeah, it’s all synthed-out, but it still captures that laid back style the Eagles did so well.

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